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A child who had been born during Constance's absence and had died in her own house. Something she should have taken as a cue to turn around and leave cartoon smoke in her wake, but she stuck around and in the end gave birth to a baby boy, Richard, but passed away soon thereafter. Hanley followed suit when he died during an emergency operation.

A period of almost ten years passed and " the village peaceable returns to its dirt. Merlin Hallam, immediately put a stop to the cock-fighting, which had enjoyed " an unbroken survival from the fourteenth century or earlier. Because his well still holds plenty of water. So a relatively peaceful period for the village, but it ended when an outsider arrived in their midst. Hannibal Jones had earned " a dishonest livelihood for seventeen years " by " writing sentimental novels ," but suffered a nervous breakdown and severe case of writers block.

So he consulted the famous psycho-analyst, Mrs. Bradley, who poked him between the ribs with a yellow claw, cackled horribly, and gave him an unusual piece of advice: go on a hunt for a secluded village and become a part of it — without trying to write about them. After nineteen days of driving, Jones ended up in the remote, drought-stricken village of Saxon Wall and there he blissfully sank into peaceful obscurity. However, his task to immerse himself in local affairs exposes a number of skeleton and lays bare one of the most twisted, serpentine plots Mitchell ever conceived.

A tortuous plot that hard to discuss without giving anything away, but let's take a shot at it anyway.

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Jones hears of the deaths of Constance and Hanley Middleton, who had been dead for the better part of a decade now, but local rumors whisper that their child, Richard, was mixed with the supposedly dead baby of the maid — which would guarantee trouble when the boys came of age. One of the boys is believed to be a changeling. There's another tall tale telling of Hanley Middleton's supposed twin brother, Carswell, who was patiently waiting to claim his inheritance.

Or the story of a local sailor, Pike, who vanished from his sickbed around the same time Hanley died on the operating table. All of these whispers are suggestive, mostly unsubstantiated, gossip stories compounded by local obfuscation and plain old superstition. But then a very real and tangible murder is committed at Neot House. Hanley Middleton's hypothetical twin brother, Carswell Middleton, proved to be more substantially than assumed, because his body was found at the vacant house of his late brother — bludgeoned to death with a poker.

Jones dispatches a telegram to Mrs. Bradley, requesting her presence at Saxon Wall, who arrives " grinning like an alligator " and " dressed like a macaw. I should remark here that, while the plot is admittedly ingenious, it just might be a little but too much of the good stuff. I know, I know.

Crime, Mystery, & Gangster Fiction Magazine Index

What is this world coming to when even I begin to complain about a detective story having too much plot, but I think there's an important difference between a complex mystery novel e. The Echoing Stranger , and a convoluted detective story — which here required an addendum to the final chapter, titled "End Papers," clearing up all the loose ends.

Once again, the plot is absolutely ingenious and Mitchell deserves admiration for not losing herself in this labyrinthine story, but this is type of detective novel that can easily leave a reader disoriented. And unsure whether he understood the solution. However, when you have everything figured out, checked the "End Papers," you can't help the artificial conveniences Mitchell had strewn throughout the book that kept this plot from going. One of these conveniences is that the real Richard must be color-blind, which is used to determine the real identities of both nine-year-old boys.

A second one is the handy fact that " the inhabitants of Saxon Wall were incapable of making straight-forward statements " or how the murderer's madness is used as an equally handy linchpin to keep a number of the plot-threads together. For a third time, you have to admire the intricacy of the plot and how Mitchell plotted a route through this contorted maze, but it all felt very, very contrived. Mitchell has handled similar, trickily constructed, plots with more aplomb e.

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Come Away, Death , and grace e. Pamela A Wonderful, comprehensive listings - thank you very much. I've wasted too much time compiling lists instead of focusing on writing - procrastinating and getting too tidy! Cheers and good health, Pamela. Russell S Your site is an excellent resource for someone such as myself looking to get on that tricky first rung of the publishing ladder. They have had to postpone their first issue in order to allow more submissions. It is to be writer voted i. I think it's a great concept and would be grateful if you could help spread the word by adding it to your list.

Russell, thanks for the information. I've added Sixfold to the prestigious, big prize competition list. Best of luck - I hope you do well in the competition Honor W I was searching for the annual competition for a book of Scottish Short Stories, which used to have the closing date of 31st Jan - but I can't find it. Does it no longer exist do you know or am I using the wrong search terms? Thanks for this list - it's very useful. That closes in July, but the organisers might have changed the entry dates. K I Thank you sooo much for putting this up!

Honestly, it has been of a great help to me.

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Anne Thank you so much for compiling this list! It's saved loads of time for me, and it's given me a lot of motivation too! I've written a collection of short stories and have decided to enter them in various competitions this year, since publishing them as a whole collection is proving to be quite difficult as a previously unpublished author. However, there is one thought that is concerning me and I can't find the answer to it anywhere. Hence my asking you!

If I win a competition, or am a runner-up, can I then use the story again in a collection at a later date? I don't want to enter and possibly win competitions if that means I then can't use the story again, as part of a complete collection. What you're talking about is exactly what I'm planning to do with my short stories long term - put a collection together, ALL of which will have been previously published.

Norman A. Daniels

So I think it's a fantastic idea, but I am slightly biased However, I'm afraid I can't give you a definitive answer to your question, as I don't actually know. I'd assume it would vary from publisher to publisher. I believe that having stories in your collection that are previously published would make your work far more saleable as the stories are of a proven quality - an editor or competition judge has already thought they were good enough to publish.

It also gives you some great experience in dealing with editors so it's fabulous for your writing CV. The only time you might run into issues is with the contracts you enter into when your work is published through competitions. The copyright generally remains with the author, meaning that after the magazine or competition have published your work, you are then free to resell it. That is certainly the case for all of the stories I've published, including one which is due to be in the Chapter One promotions anthology 'Primed' this year.

For this particular story, I've had to sign quite a lengthy contract, but the copyright remains with me and, once their book is published, I'm free to do what I want with the story. To back this theory up, 'The Golden Apples of the Sun' and 'The Collected Short Stories of Roald Dahl' are examples of 2 very famous books that contain stories that have been previously published in a wide variety of magazines.

Admittedly, these are old books from established authors, but the fact that the stories were previously published didn't stop a publisher releasing them as a collection.

The books actually say where and when they were first published - maybe because they are obliged to, but probably because the reader will find it interesting. In the end, I'd advise you to try and get as many stories published as you can through competitions, always aiming to WIN! Even if it turns out that you can't use them in a collection, they might get a publisher's interest. Then you can write more stories for the collection once you have a publishing contract! Your answer is very encouraging, and pretty much what I suspected myself. It means that I can go ahead and enter loads of competitions in the meantime.

Ana Kriégel murder trial: The complete story

I will be super-aware of the contracts aspect, though, and try to ensure that the copyright remains with me. My husband suggested I 'just write more' if I can't re-use the stories, but you know how precious they become - I want to see them belong together, since I deliberately wrote them with similar themes to fit together neatly into a collection. It would be annoying if I can only use them once. Many thanks again, and best of luck with your own collection. It sounds as if you're well on the way to putting one together! I know what you mean about stories becoming precious.

I must admit though, over time, I've become less precious about them - I just like to see them in print! Roger S Christopher, I plan to enter one of the short story contests you mentioned. But I do have a 7,word short story set in England -- where we have often travelled to from here in the Colonies -- and wondered if you might be able to suggest a contest in the UK that accepts entries of that length. All help appreciated.